Showing posts with label volumina. Show all posts
Showing posts with label volumina. Show all posts

Volumina - Ciencia Ficción


Kids, have an awesome Halloween! If there’s something good about this year’s financial chaos is that it’s a great opportunity to get creative, so kids, please make your own costumes and don’t ever stop listening to music. Benjamín Zárate aka Volumina (and member of Antoine Reverb) has released his latest EP titled Ciencia Ficción. It might just be your score for tomorrow’s stormy magical night. It’s only been few hours since we got this but it’s easy to process them when there’s a bunch of your nephews and nieces around you asking you for costume suggestions and candy already. (What they don’t know is that I never went trick-or-treating, oh poor me).

Pay close attention to “Ciencia Ficción I” which I found freaking scary; it sets up a cold mood and those Church-like bells scare the hell out of me. “Friendly Ghouls” is very mechanical and so chop-chop that I had to skip it (I get scared very easily). Volumina has plenty of fun with this, especially because almost all six tracks are set in hide-and-seek conditions. This isn’t just his interpretation of Halloween; it’s also a sonic galore to El Dia de los Muertos. You’ll find samples from Astor Piazolla as well as Los Cinco Latinos, also, an appearance by the king of pop. That’s right, the now gone Michael Jackson is evoked in the danceable thriller-inspired Billie Jean sampled “Vampire Gang.”

Ciencia Ficcion would work great as the soundtrack for a movie; it’s emotionally distressing in its mysterious and playful tones. The first layer (and base) of “Las Ultimas Horas” is the clicking sound of a watch, over it, a waving synth letting itself fly with the wind. This clicking and the outcome of it (like waking up every morning to an alarm clock) is ultimately the album’s most shivering moment. “Ciencia Ficcion II” steps in Burton territory, you know, the tavern sound of the The Bride’s Corpse. This track also works as a negotiation of both celebrations, juxtaposing Hollywood’s mirroring of Halloween with El Dia De Los Muertos and church.

Video: Old Family Photo Album, Volumina

I believe this is the first video Volumina has ever released, and it’s beautiful. It reminds me of a quite wonderful little Mexican film called Año Uña (The Year of the Nail) by Jonas Cuaron (Alfonso’s son) which is made entirely by photographs that were given an order to tell its story. “Old Family Photo Album” is sweet and slow-paced, almost a clause of holiday commemoration in the best way possible, with the family of course. Benjamin Z is the mind of this project and also a member of Antoine Reverb; This Is Our Home, Please Come In captures the current sound of the scene in Guadalajara and unlike most of the acts from that city that release their works through Happy Garlic, Volumina’s album was released entirely free under the Canadian net label Peppermill Records, make sure to get it.



♫♫♫ "Old Family Photo Album" (right click, save target as)

This Is Our Home Please Come In!, Volumina

THIS IS OUR HOME PLEASE COME IN!
VOLUMINA

Peppermill Records, Mexico
Rating: 78
By Carlos Reyes

“You keep seeking while I hide in darkness”, Volumina rolls around to this theme with much glibness, and it’s got enough bells and vitality to make its way into both psychedelic electronica and children’s music. In this sense, I’m not far out in saying their first EP This Is Our Home, Please Come In sounds like Sizu Yantra’s Bienvenido al Sueno, or even the paternal solo projects of los Aterciopelados Andrea Echeverri and Hector Buitrago. I don’t know if the mind behind this project is a parent, but even if an actual experience was not to be its impulsive force, the imprinted sensibility in these eight pieces go beyond a measure of cuteness, these are daring moments of expectancy that never really cease to sound indifferent in order to disclosure what they really want you to hear. It only takes a few seconds of the introductory passage of “Twist” to notice their ability to embrace transitions; the song goes from cute fairies, to a moment of suspension in silence, and ends on a disconcerting lapse in which a monster awakes and wants to play. Volumina definitely belongs to the sound coming out of their native Guadalajara, specifically the subtle pop of Suave as Hell, Carrie, and Hey Chica! They all sing in English, and are not very creative at it, now in terms of musicality, Volumina is a triumph. While it struggles to fully dispose its mind-set in songs like “Love” or “Old Family Photo Album”, the musical accompaniment helps to keep things simple enough that the easy lyricism fades into a precise conduct. “The rock & roll space band” it’s a marvelous piece, rarely has Mexican pop explored the space inviting us along. And in a way, Volumina does give its album a truthful title; these songs are insightful and in conjunction, build up an open invitation to their home, it might not be the most distinctive and magical house to find yourself in, but it’s an honest tale that will at the very least, remote you to that lure of unoccupied space that still holds some innocence within you.