The last time we catch a Maria Daniela y Su Sonido Lasser gig they were taken off the stage by the local police for making too much noise and disturbing the peace of Phoenix’s lame Downtown. Well, those authorities were the illustration of the divisive response you can expect to get when making a Google search on the Maria Daniela and Emilio Acevedo duplet. Once an indie sensation, now a successful mainstream act with enough entourage to get over a half million hits on YouTube for just about any clip they put up.
There are no grey areas in their music and there are no middling fans either; if you’ve loved them since “Miedo” was around, you’ll be on their side along with #1 MDYSL fans CSS and Javiera Mena, if you just can’t stand those hypnotic vocals, it’s very unlikely you’ll change your mind with their latest release. Leading single “Si tu quieres bailar, te ninas a matar” is a knock-out riot on the dance floor, and ulimately, the excuse to releasing the middling Baila Duro EP, their first release since Nuevos Ricos’ startling departure. The sketchy flamboyant dose comes in a smaller package this time, with six songs that are almost undistinguishable from one another, yet all over the place quality-wise.
The magic of Maria Daniela y Su Sonido Lasser starts with the effervescent titles of their songs; they upfront what’s coming due to the duo’s monotonous (yet effective) execution. As usual, the interesting, often humorous titles are in fact, the interesting pieces. “Garras de Tigre” has a superstar eminence to die for, “mi gatito quiere más, quiero bailar, le encanta como suena mi voz, miau, miau,” if you can feel the unconditional love of the kitty to his diva consider this song a triumph. Of course, this is Maria Daniela, she doesn’t settle for pet talk, she makes it dramatic visualizing the idea of an ambitious roaring cat that ‘literally’ scratches records and writes his own manifesto.
The title song is a tour-de-force with the composition of the catchiest Reggaeton songs ever made. The sequences in “Baila Duro” aren’t just sequences of synth-pop, they’re galloping strips on how to kill on the dancefloor. The other truly great song in the album “Yo Tenia Un Novio” is the perfect blend of the Jessy Bulbo’s punk and Angelica Maria’s chanteuse era. Baila Duro EP doesn’t disappoint but it is too obvious, they didn’t break it down to the selective pieces, in fact, half of the songs are just charismatic fillers.
8106 premiered the brand new video from Maria Daniela y Su Sonido Laser for their single “Baila Duro,” the first cut from their forthcoming third release. It’s been two years since the release of Juventud En Extasis, so we’re deeply surprised they’re only releasing an EP, or at least that’s what the rumors say. We reviewed the single a few months ago, questioning what had happened to Nuevos Ricos, the kitchiest Mexican label we’ve ever seen, Jessy Bulbo commented Nuevos Ricos was actually death, so we wonder who’s going to take care of all the dysfunctional bands they left behind. Maria Daniela y Su Sonido Lasser won’t have a problem, by now they are as mainstream as they can get.
“Baila Duro” won’t change the fact that they’re the most hated pop band around, but they have first-class hardcore admirers such as CSS, Javiera Mena and 2manydJs. This flashy video isn’t very interesting, but there’s good use of limited resources and I must say, the song is still burning hot.
This disquieting half riot, half lousy girl keeps doing some of the most divisive music in Mexico, guess which side are we on? Of course on the positive shoulder, her sketchy and ultra flamboyant music satisfies our needs for effervescent pop. María Daniela y Su Sonido Lasser are taking longer than usual to release new material, but their recently announced EP seems to be closer to see the commercial light this summer. The album is comprised of four new songs and two covers.
Promotional single “Baila Duro” has been rotating around the web since last year to very little attention, which is surprising considering how catchy this tune turns out to be, “que se rompa el suelo, que tiemble en todo el mundo y que explote todo.” Well, it seems like we won’t be getting a more mature María Daniela, but we can’t complain, there’s plenty of more sweat-potential carved in the Juventud En Extasis premise. It’s not as fun and glamorous as “Miedo” or “Pobre Estupida” but this aspiring reggaeton holds and shakes its ground impeccably.
Recently, María Daniela did a very decent job recreating “Mi Muñeca Me Hablo” in the 31 Minutos album tribute. We’re not sure what has happened to Nuevos Ricos, they used to be the hippest Mexican indie label and they seem to have vanished completely. While we wait to see who ends up publishing their album, “Baila Duro” should do a good job gathering buzz for this intrepid duo.
WHO SAID PARTY?, COF COF Unsigned, Spain ***1/2 Rating: 78 By Carlos Reyes I love the pop, especially with quirky female vocals, having Cansei De Ser Sexy, Maria Daniela y Su Sonido Lasser, Hello Seahorse!, Naty Botero and Quiero Club pop up in my MP3 player are not enough, I need more sparkles into my sometimes stressful college life. This week was particularly uplifting with my encounter with Cof Cof; they brought to my weekdays the sufficient dose of girly audio pleasure with their debut EP Who Said Party? It is surely as exuberant and effervescent as The Ting Tings'We Started Nothing. I rarely care about accents, but I must say vocalist Ana Analogica has such a sexy one on top of flowing light lyrics. We’re not in front of a provocative pop album, but an album with enough transitions and character motif to be celebrated. Cof Cof is a sibling to Quiero Club’s music (who by the way are releasing their new album this week); let me tell you that there is plenty of space for both bands and a couple more. There are some tropical in here, but mostly an inquisition of synth-dance that is never pretentious and always digestible. If the world was fair and fancy their song “Caribbean Boy” would have been the summer hits of the year, there’s just something so cute about it, “I thought I was in paradise… I want him to be mine”, sum that to the great engineering of a non-conformist heated pop song, great job by Alex Cuadrado. In a moment where all pop bands aspire to visualize the bright colors, Cof Cof are naturals, complementary when they need to be and fluorescent when the opportunity is given. There are some clear flaws of course, but are overlooked once the enchantment of Ana and Alex has won you, one of the most promising acts out there. Did I mention their album is downloadable for free? Me estan malacostumbrando!
THE BLACKOUT PARTY BY NUEVOS RICOS María Daniela y Su Sonido Lasser / Silverio / Devon Disaster August 30, 2008 (Phoenix, AZ)
Nuevos Ricos is a growing independent label based in Mexico City on support of the electronic scene and its derivatives (clash, glam, garage etc). They may not be delivering the level of quality releases from MUN or Tercer Piso but that doesn’t stop it from been the most exciting label of modern music made in the Aztec country. Understanding their project means setting the music industry into different disciplines: the visual goodies of their colorful and abstract websites, the exhilarating press releases, the music itself and their code for partying hard and loud. The Blackout Party is a 30-city tour from two of the label’s most popular acts: the unpredictable DJ who wants to be called “your majesty” Silverio, and the very girly but magnetic Maria Daniela y Su Sonido Lasser.
The event was scheduled at 8:00 P.M. at Tio Leo’s Cantina; nature sometimes is bitch and decided to give us a strong monsoon just a day before the party. Electricity was off and so it was decided a few hours before the show to change its location to an open place on downtown Phoenix. Because there was no official announcement (at least not on time) we ended up translating from the old place to the new one, almost looked like a caravan of fluorescent colors. Aside from the uncomfortable but inevitable voyage through the not very exciting phoenix night life, things looked promising as many lights waited for us. Also awaiting audience was Cidade dos Homens, the follow-up series to the Oscar nominated film Cidade de Deus directed by Fernando Mierelles projected on a two-story building next to the hosting party house. Presumably shown in there for visual pleasure, but meaningless until the music kicked off.
The improvised stage welcomed the opening act Devon Disaster, an exciting electro/club act from Germany. It is led by an attractive girl with strong attitude. The performance suffered from all the technical problems one can think of. At one point she even joked about them making honor to their name through this disaster. Nonetheless it proved to be in the right place with potential followers in blowing attendance. Next up was Silverio, a one of a kind character hard to resist. In my review of a couple of months I mentioned that his albums are incomplete offerings, he is a showman by all means and brings one of the most unprecedented “styles” of reaching the audience. I’ll just say that like his music, he lets it all hang out.
Silverio is releasing his latest EP titled Superacion Personal, which I initially found annoying but after getting that other half at his performance grew on me. Still, an inferior sophomore production that is just too safe for its own good. Those of us following Silverio knew what we were getting into; those people that were brought to the event by friends or just stopped by showed shocking reactions from their first encounter with Silverio. Anthem track “Yepa Yepa Yepa” was a stunner opener, followed by songs he dedicated to himself such as “El Idolo” and “Superacion Personal.”
Headliner Maria Daniela y Su Sonido Lasser reached the stage at very ‘late’ hours; people were waiting for that peculiar voice of hers and the talents of electric guru Emilio Ecevedo. Maria Daniela is simply charming, a petite body doing its thing at very high energy. The track “Pecadora normal” opened the act’s performance, while first single “Pobre Estupida” exploded the wild audience, which was followed by some of her best songs from her latest album Juventud en Extasis. Electro pop acts in Latin America seem to embrace Daniela Romo, a telenovela actress that made a quick career in music during the 80s but apparently left her influences in the most radical kitsch sound of Maria Daniela or the down tempo electrifying music of Javiera Mena. Maria Daniela does a fine job at making homage to the actress with a cover of “Mentiras.”
The finest moment of the night arrived with the performance of “Carita de Angel”, a cover included in the Rigo es Amor compilation, a collection of some of Rigo Tovar’s most popular songs on altered versions by Nortec, Plastilina Mosh, Cabas, Los Amigos Invisibles, Austin TV among other artists. As we were waiting for “Miedo”, the first and most popular hit by the duet the volume was shut down and the Phoenix Police interrupted the ‘healthy’ session of electropop in the dance halls. It appears that the event was taken as a loud party, but it’s understandable since the organizers probably didn’t have time to put everything in order, again nature sometimes is a bitch. The event was actually awesome considering the circumstances, and we had enough Maria Daniela y Su Sonido Lasser to reaffirm her status as the leading electropop act in the Mexican indie scene, which includes among others Sussie 4, Quiero Club, Faca and Electrica Miami.
Next concert in Phoenix THE MARS VOLTA, October 1, 2008
From: Andes (Home Records) YouTube/Myspace/ Becker was one of the great discoveries for me that resulted from the Latin Grammy special. It was listed by both of my partners in the breakthrough category and I completely agree. Becker has that “it” factor bands all around latinoamerica are searching for and a bit more, they sound like nothing I’ve heard recently especially on this heartbreaking song. (Jean-Stephane Beriot) ____________________________________________________
29.“Donde estaran, tan, tan”, Cantoalegre feat. Juanes From: Un dos tres por todos mis amigos y yo (Independiente) YouTube
Resulta poco común incluir una canción infantil en una lista como esta. Pero quise rescatar esta pieza escondida en un disco para niños realmente memorable, que hace un recorrido folclórico a través de las voces inocentes de los pequeños de Cantoalegre, acompañados por su mas reciente padrino: Juanes. (Paulo Correa)
28.“Querer”, Chetes From: Efecto Domino(EMI Music Mexico) YouTube/MySpace/IMEEM
Chetes is much more enjoyable working with minimalistic lyrics. “Querer” is about given yourself to that special one, at times sounding cheesy and too standard, but acquiring emotional heights along the way. Admitting that you’re in love is admitting that you must take extra steps to find equilibrium. A non-traditional approach to accepting loving someone by a non-traditional singer who is always ahead of his game. (Carlos Reyes) ____________________________________________________
27. “Amar en el campo”, Teleradio Donoso From: Gran Santiago (Independiente) YouTube/MySpace/IMEEM
Teleradio Sonoro is along with Javiera Mena one of the most promising acts from my adopted country Chile. “Amar en el campo” is a great pop song, working with themes concerning lifetime’s mediocrity and more crap like that surprisingly dissolved in great catchy tunes. The kind a song I always demanded from La Ley, the band that undeservedly still holds the spot as the biggest musical import from Chile. (Jean-Stephane Beriot)
26. “Todas esas cosas”, Smitten From: En algún lugar (Iguana Records) YouTube/MySpace/ Esta banda de rock argentina dio una sorpresa con esta vibrante canción, que con una melodía basada en escalas sucesivas (al mejor estilo de Fito Páez) logro recientemente colarse en los conteos de los principales canales musicales de Suramérica. (Paulo Correa) ____________________________________________________
25.“El sexo sin amor”, Jessy Bulbo From: Saga Mama (Nuevos Ricos) YouTube, MySpace/IMEEM
If you don’t know Jessy Bulbo yet let me tell you she is freaky, in the best possible way. “Sexo sin amor” is one of the best laidback songs this millennium has given us. A song working on parallel disfigurations, meaning that each one has its own mind but will eventually encounter. So stop the worries, get lost for a day, and don’t even try to care about stuff, see what it feels to be arrogant. Time consumes our lives and sex is a way to let it out, as long as you’re not in love. (Carlos Reyes) ____________________________________________________
24.“Tu sombra”, María Daniela y su Sonido Lasser From: Juventud en extasis(Nuevos Ricos) YouTube/MySpace/IMEEM
Perhaps because I mostly live in Los Angeles, but most of the music I listen to in Spanish comes from Mexico, Maria Daniela has become a favorite. I adore everything about “Tu sombra”, its kitsch, the girly attitude and the fun electro backgrounds. And is still so poetic, “tu sombra se ira, mucho después que tu.” Maria Daniela’s Juventud en Extasis is her most complete work yet and one of the finest albums lately. (Jean-Stephane Beriot) ____________________________________________________
Compuesta por el cantautor chileno Alberto Plaza, es una prueba mas que el tropipop esta en su furor. A ritmo de vallenato y acompañado de acordeón, Willy Chirino regreso al top de las emisoras tropicales. (Paulo Correa) ____________________________________________________
22.“Algo musical”, Ñejo y Dalmata feat. Arcangel From: Broke & Famous (Unsigned) YouTube/MySpace/IMEEM
Ñejo y Dálmata are the latino answer to The Cool Kids. In this song they joke about how their music is selling more than crack, yet they acknowledge their underground status by naming their album Broke & Famous. Before the duo decided to unite, they had solo projects that already portrayed non-comforting visions. “Algo Musical” also suggests music being a sex appealing attribute, and Arcangel’s presence only adds attitude to the majestic urban song. (Carlos Reyes) ____________________________________________________
21.“Hello Tarantino!”, Descartes A Kant From: Paper Dolls (Intolerancia Records) YouTube/MySpace/IMEEM
I first heard of Descartes A Kant by a friend who is one of the members of the Yeah Yeah Yeahs who recommended me to listen to this great band from Guadalajara, Mexico. To my surprise, they sound very similar, and that is one of the best compliments I can possibly give. Great female vocals in this experimental band that should appear on a soundtrack by a Tarantino movie. (Jean-Stephane Beriot) ____________________________________________________
JUVENTUD EN EXTASIS Maria Daniela y su Sonido Lasser, Mexico Nuevos Ricos
Sophomore effort by the most successful act to emerge from Nuevos Ricos. The album takes its title from a book by Carlos Cuactemoc Sanchez, who was some years ago the best-selling Mexican author. Juventud En Extasis was a must-have during puberty, the book had such a momentum that parents would run and buy it because it was supposedly going to make their kids more aware of the dangers that would come with adulthood (drugs & sex most importantly). Maria Daniela takes this social-family gap and tears it apart. What has happen to that generation that was supposedly destined to collapse?
The album opens with Pecadora normal, an irregular introduction for a much more pleasing album. It follows with Pobre Estupida, perhaps I’m listening way too much to reggaeton, but I find this song to be a tiraera to another colleague. I just can’t seem to resemble the protest lyrics of the song to other genres. Track after track we begin to discover the album's intentions: to break those stereotypes on adolescence made by absurd expectations and media. But it does a fine job at not taking its themes too seriously, it has fun while revealing itself, such as in Asesine a mi novio.
Some say Maria Daniela is Belanova to a new level, truth is the former strives for electronic dance hall glory and the latter seems to find its comfort zone at the sugary romantic factory. But even with the awesome bases of the duo, the girly low note voice might frustrate more than one. Juventud en Extasis is such a great improvement to the first album, which I found somewhat overrated. We now get a confident set of songs that correlate to an idea, this time they are not floating ideas in search for an opportunity.
Engineering is top class, and is one of the few kitsch-pop albums that actually sounds great on the iPod, no annoying vibrations this time. We could call this album a revelation album, some attempt revealing sexually or politically (Calle 13, Los Pinker Tones), Maria Daniela softly endeavors a necessity to understand the youth, with the sensibility Mr. Carlos C. Sanchez seems to be unfamiliar with. The approach is a successful event, and the outcome could only be described as one of the most fun, energetic, and vigorous albums to emerge from Mexico in years.