Showing posts with label selma oxor. Show all posts
Showing posts with label selma oxor. Show all posts

MP3: Selma Oxor - "Perra Sucia"


Riot grrrl. Now that I have your attention, disregard that phrase. Selma Oxor’s latest single, “Perra Sucia” has little to do with that Pacific Northwestern third wave feminist movement. (Or does it?)

Less melodic and hook-heavy than “Dotes de cocina,” Oxor’s latest "single" (are we still calling ‘em that?) jettisons one or two social filters and goes straight for the jugular, finding her in full-on anthem mode. There is little subtlety in her verses, as she pretty much makes clear that EVERYONE AND THEIR MOTHER WANTS TO BE A PERRA SUCIA. (I hope this means people will finally stop talking about how polemic Pussy Riot is and realize there are other "relevant" feminist acts out there to talk about.) Politics aside, “Perra Sucia” also marks a clear departure from her previous, electroclash-informed sound, cause, you know, it’s not 2003 anymore. Kudos to you, Dr. Dude.



♫♫♫ "Perra Sucia" | Soundcloud

Fonocast #13: Cheers!


Fonocast #13: Cheers!
by Blanca Méndez and Souad Martin-Saoudi


  • Pernett - "Esta Noche"
  • Jr. Ranks ft. Mach & Daddy - "Agua y Guaro"
  • Kid Sister ft. Nina Sky - "Look Out Weekend"
  • 3Ball MTY - "Tipsy"
  • Las Kellies - "Scotch Whiskey"
  • Selma Oxor - "Jungle Juice"
  • Las Ardillas - "Cancion de Luz"
  • Juan Cirerol - "Se Vale Soñar"
  • Wendy Sulca - "Cerveza Cerveza"
  • Los Tigres del Norte - "La Mesa del Rincón"
  • Carla Morrison - "Tragos Amargos"
  • Gloria Trevi - "Fue ese tequila"
  • Jessy Bulbo - "La Cruda Moral"

Selma Oxor - User 69

User 69, Selma Oxor
Vale Vergas Discos, México
Rating: 79
by Enrique Coyotzi


In my review for Bam Bam’s 2011 masterpiece Futura Vía, I mentioned how Luxor’s vocal collaboration wasn’t that essential. Nevertheless, the truth is we’ve missed her. A lot. She’s made a proper comeback under the charge of Selma Oxor, the band she once shared along with Alexico and Ratas del Vaticano’s Violeta Hinojosa. We’ve lauded Selma Oxor’s return as one of this year’s best and, as evidenced in her fiery EP provocatively titled User 69, we weren’t wrong predicting it as something exhilarating.

Getting rid of the loud guitar noise abundant in the self-titled debut, spanning a poppier sound while preserving an electroclash basis, User 69 finds riot grrrl, scenic artist Leticia Beeton owning the moniker, revamping it into something deviantly appealing, her own. Comparisons to María Daniela may seem obvious, but honestly, quite tired. While their voice timbre might be alike, Beeton’s work isn’t candy floss electropop. This is filthy, dark, strenuous synth punk that persuades you to get carnal in each pumping, lecherous beat enveloping it.

Aided by Dr. Dude’s (Humanoid Mutations) galvanizing production, Luxor, making use of obscure, sinister aesthetics (think Dani Shivers), maniacally stimulates the listener in each of these five ebullient tracks. First single “Dotes de Cocina” showcases what Selma Oxor’s new direction is all about: luscious, soothing vocals that at times sound frenetic, combined with propulsive rhythms and stained yet jaunty guitar work both rousing and degenerate. Resembling a vivacious Mount Kimbie track, bass-heavy “En tu T.V.” speaks about the comfort found in television addiction under scary declarations (“La vida real está en la pantalla chica”). The robotic voices heard in “Aerobic Nation” bring to mind Ellen Allien’s Berlinette, confirming Beeton’s listening habits have changed, while the surf rock guitar line in “Jungle Juice,” guiding Luxor’s suggestive articulation (“O-o-o-o-o-o-oxor/Jui-jui-jui-jui-juice”), comes as the sexiest moment in the EP. Closer “Quiero Salir” still sounds a bit like Portishead’s “Machine Gun,” although it retains a phantasmagoric aura and nefarious outlook.

A fierce and rampant EP, the only thing missing here is the inclusion of outstanding hit “Lo Que Quiero.” It was a bit disappointing to learn Luxor opted to leave it out. Nonetheless, User 69 satiates after a long wait since last hearing from Selma Oxor, exposing a radical change in her music that resulted from going solo, taking a perceptible step into maturity, and encountering complacency and freedom of ideas by making her own fertile art.



Video + MP3: Selma Oxor - "Lo que quiero"


Undoubtedly one the best comebacks of 2012 so far, Selma Oxor is putting the final touches on her yet untitled second album (set to be released via killer netlabel Vale Vergas Discos), which has rapidly become one of our most anticipated releases of the year. Led now by Luxor’s demonically erotic craftsmanship, the sexy provocateur unveils the video for “Lo que quiero,” directed by one of our favorite réaliseateurs, Txema Novelo. Even though it has been floating around Oxor's SoundCloud since last year, “Lo que quiero” feels fresher than ever. If you were turned on by Tony Gallardo II’s horny revelations in “Mi Presa” or “Mango Sweat,” Luxor functions as a female counterpart with her declaration to the guy she wants to fuck (“Tú eres fuego que enciende el deseo/Tú me excitas a cada momento/Dámelo”). With limited resources, yet striking impact, Txema Novelo keeps developing his distinctive signature with inspiring results. Exalting Luxor’s and friends (along DJ Smurphy) sensuality through drugged-out dance moves and irresistible cool, Novelo captures, in this first official video, the wildly evocative spectrum of Selma Oxor. 

MP3: Selma Oxor - "Quiero Salir"


I assume sometimes you might wonder, “What the hell happened to Bam Bam’s ex-vocalist?” Well, in case you didn’t know, Luxor is still crafting songs as Selma Oxor. After the departure of Alexico and Ratas del Vaticano’s Violeta, the riot grrrl decided to take the reins. Following two 2011 dark seductive tracks (including her own noir take of Juan Gabriel’s “Siempre en mi mente”) and a performance at this year’s Festival Nrmal, “Quiero Salir” marks the official comeback of Selma Oxor as a single-mind act. It isn’t as in-your-face as anything included in 2009's filthy self-titled, but displays a hooking departure that ventures into dark-pop currents. With a base that resembles the industrial shuddering beats of Portishead’s “Machine Gun,” over a thick smokey atmosphere and eerie vampire-esque vocals, “Quiero Salir” is a hot return that may make you imagine what banshee sex would be like ("Oigo la música del sexo, pues para mí no hay nada más que eso").



♫♫♫  "Quiero Salir"  

Music Alliance Pact : August



MEXICO: Club Fonograma
Selma Oxor - Abrazame Demonio
Selma Oxor is the vindication of a blasted youth that has fun exploring rock, techno and pop, an all-in-one distorted vision that according to their MySpace sounds like "a cow giving birth". From their self-titled debut album comes "Abrazame Demonio", a moment of useless exertion perhaps, but it's one of the few perfect songs we'll get to hear this year. It effectively transitions its noisy punk into some kind of urban channel, uprising the song into the heavens.

ARGENTINA: Zonaindie
Baby Scream - Ups And Downs
Baby Scream is a musical project led by Juan Mazzola, with the ocassional collaboration of friends such as Cristian Basualdo, Sebastián Rubin and even Gilby Clarke's bassist Muddy Stardust. Mazzola writes pop songs with a strong influence from classics like The Byrds, The Beatles and The Replacements. This beautiful acoustic ballad was taken from the album with the same name, released last year in the US by Recording Records.

AUSTRALIA: Who The Bloody Hell Are They?
The Frowning Clouds - Time Wastin' Woman
Geelong boys The Frowning Clouds are so 60s and very fun. Lead vocalist Nick (a dead ringer for George Harrison) and his poncho-wielding counterpart Zack rotate between singing and rhythm guitar duties. The coarse vocals of Zack lend backbone to Time Wastin' Woman, oozing with the sounds of the Stones' early catalogue.

BRAZIL: Meio Desligado
Copacabana Club - Just Do It
They're pretty, uber-cool and hyped. Justin Timberlake likes them. Channel Fox uses their song in a commercial. Do you want more or is that enough to make you see that Copacabana Club are a band to pay attention to? Last year the five-piece band (two women and three men) released their first EP, King Of The Night, from which Just Do It is taken. It's dance and kinda new-rave style make people think about CSS, but it's better to listen and judge for yourself.

CANADA: I(Heart)Music
Centretown Cripplers - Eat The Bee
Centretown Cripplers are a seven-piece. I only mention this because they're a garage rock band, and bands in that genre typically have a much more minimalistic approach to line-ups. As Eat The Bee shows, however, in this case size doesn't matter. Centretown Cripplers are loud, raucous, primal... and awesome.

CHILE: Super 45
Mostro - Moha Moha
Mostro, one of the cornerstones of the Chilean indie music scene, are Carlos and Jaime Reinoso, two mutant brothers who deliver an intense and creative musical experience. Playing, in their own words, "evil pop" with a guitar, drum and small keyboard, they attack you (yes, literally attack you) with a mix of minimal electronica and raw, intense rock that simply knocks you down, just like American duo High Places were when both bands recently shared a stage. Moha Moha, taken from their second LP Consumido Por Pájaros ("Eaten By Birds") is a small appetizer of their genius insanity while we await their third album.

CHINA: Wooozy
Sonnet - A Nice Song
Sonnet are a disco/indie rock band from Shanghai. As one of the few third rock generation in Shanghai, they've just independently released their second demo S-File. One of the band members is now helping the SOMA indie label host live shows at the Dream Factory venue in their native city.

DENMARK: All Scandinavian
Jong Pang - Liar Liar
Jong Pang aka Anders Rhedin released his lauded debut solo album Bright White Light just last year and already he's got the follow-up ready and out. It's titled Love and it is a magnificent alternative pop-rock effort from which I'm happy to present irresistible first single Liar Liar.

ENGLAND: The Daily Growl
The xx - Crystalised
Although they went to the same school as Four Tet and Burial, don't go making too many assumptions about The xx, a group of four teenagers from South London currently making waves in the UK ahead of the release of their debut album later this month. They may share similar influences (dub, R'n'B) but they take their songs in another direction with magnificently minimal production, all of which is done by themselves.

FINLAND: Glue
Astrid Swan - Unrelated
Earlier this year singer Astrid Swan dumped the piano (and along with it, the dramatically adorned songs) and took the guitar to compose simple, but sincere and personal pop songs that she recorded with a new band, The Drunk Lovers, for her soon-to-be released third album Better Than Wages. There we can find this synth-pop gem about erroneous encounters.

FRANCE: ZikNation
Mama's Mule - Globe Trotter
The Mule and Venom met during a studio session in 2007 and they immediatly clicked. For about a year, they kept seeing each other every now and then between concerts, studio sessions, taking the dog out, vacations and soccer games. Meanwhile, Jessy Rakotomanga and Sylvain Moreau pledged allegiance to the secret society. January 2009: tadaaaam. First demo. Three tracks. Viagra for your ears. Just listen.

GERMANY: Blogpartei
Timid Tiger - Are You Gonna Go My Way (feat. Ludacris & The Notorious B.I.G.)
Perhaps Timid Tiger are globally more famous for their remixes than for their regular songs. And hell yeah, this Lenny Kravitz cover does indeed kick ass. So enjoy it - but don't forget that this band from Cologne is creative and inspired in their own work, both on record and live.

GREECE: Mouxlaloulouda
Film - Filter
After a two-year period of experimentation in the studio, Film are releasing their third album. Persona is a dizzyingly beautiful set of delicate atmospheric songs with cinematic aesthetics and a detailed production. It signifies a different, more inviting musical direction that is influenced by the compositions of Vangelis Papathanasiou and summons lush combined voices, pop melodies, electronics, sparse strings and brasses. An album that is best taken from start to finish, where the songs will uncover its manifold delights, endear and impress.

ICELAND: I Love Icelandic Music
Agent Fresco - Above These City Lights
Agent Fresco formed in early 2008 with the goal of competing in the Músíktilraunir contest, a sort of Battle of the Bands, which they subsequently won. The quartet write complex songs with lots of rhythm changes and received the Brightest Hope (Best Newcomer) Award at the 2008 Icelandic Music Awards. The band, who released a five-song EP called Lightbulb Universe last December, are currently working on their debut album.

INDIA: Indiecision
Sridhar/Thayil - Bring Me Rain
The project of theatre actor and singer Suman Sridhar and poet Jeet Thayil, Sridhar/Thayil's lyrical pop takes thematic Indian music sensibilities and combines them with an urban swagger in the vein of early Björk and, occasionally, Tom Waits. Bring Me Rain is a perfect example of their dirty-sexy feel, taking traditional Indian sounds and cooking up something that could work equally well at a nu-jazz club or a grimy bar. Sridhar/Thayil have been around since 2007 and they're currently working on releasing their debut album.

INDONESIA: Deathrockstar
The Wispy Hummers - My Love
The Wispy Hummers is a singer-songwriter who is much influenced by The Zombies, Bright Eyes, Destroyer, Death Cab For Cutie and, above all, Bob Dylan. She has released two EPs, both recorded at home, creating a signature lo-fi quality that makes the songs more honest, heartfelt and nostalgic.

IRELAND: Nialler9
The Dying Seconds - The Ladder Drops
"To some people electronic music is impersonal. It's just an orgy of numbers, dancing together and doing as they're told. But have you ever wondered what would happen if you took apart the machine and tried to replace the motherboard with a human heart?" The Dying Seconds' own description says it better than I could. This is taken from their 2009 EP Some Grand Romantic Gesture. Lovely stuff. Download their album here.

ITALY: Polaroid
Fitness Forever - Vacanze a Settembre
It's August, everyone down here is on holiday and Fitness Forever are the perfect soundtrack, with their glamorous sound inspired by Burt Bacharach, Armando Trovajoli and classic 60s lounge-pop. They recently released their first album on the Spanish label Elefant Records and played a joyful set at the Indietracks Festival in the UK, making Derbyshire feel warm like a Mediterranean spot.

JAPAN: JPOP Lover
Nuito - NeKoMaJiN vs
Nuito are a post-rock experimental trio who formed in Kyoto in 2004. With tapping guitar, slap bass and hard drum, Nuito rapidly change beat and rhythm while they play, and make an immediate impression. Their experimental attitude is not about musical destruction or collaboration, but reconstruction.

NEW ZEALAND: Counting The Beat
Sora Shima - Hello Big Sky (Radio 909 remix)
Sora Shima are a four-piece instrumental group from Hamilton who specialise in the kind of start quiet, end apocalyptic epics that you hear from the likes of Explosions In The Sky or fellow countrymen Jakob. Hello Big Sky is from their third EP, Destroy Electronica. You'll find links to free downloads of the previous two releases on their MySpace. The five tracks on Destroy Electronica see the band experiment more with the form, adding variety but losing none of the power.

NORWAY: Eardrums
Casa Murilo - 19th Floor
Casa Murilo are the perfect band to present on a global project like MAP. They are based in Norway, originally from England and started making music together in Brazil. Two Englishmen, Chris Winfield and Dan Hesketh, met, lived and worked in Brazil for two years. They fell in love with two Norwegian girls. They moved to Oslo and started a band, Casa Murilo, with two Norwegian friends. They are currently in the studio recording their debut EP, The Waldemar Thranes Debacle.

PERU: SoTB
Serpentina Satelite - Nothing To Say
Serpentina Satelite formed at the end of 2003 in Lima. Their sound oscillates among calm, violence and ecstasy, in the spirit of space-rock and Krautrock. Their second record Nothing To Say, released on the Trip In Time label, is an extended five-track epic in which Serpentina Satelite bring us a turbulent and more powerful, rough sound. For the title track Nothing To Say, you better fasten your seatbelts - this is a high energy rock 'n' roll freak-out!

PORTUGAL: Posso Ouvir Um Disco?
Ölga - It's Alright
Ölga formed in 2001, as a quartet, from the ashes of another band. In 2003, they won an alternative rock contest and were invited by an indie label to release their first EP, Ö, in 2004. Their cello player left the band and their sound, as a trio, became more rock oriented. Their first LP, What Is, was released in early 2005. In 2007, they started recording their new record, La Resistance, which will be released in September. It's Alright is the first single and it is, at this time, only free and legally downloadable through the Music Alliance Pact.

ROMANIA: Babylon Noise
The :Egocentrics - Mystic Initiation
Loose jams, goosebumps, trance and therapy. These are the reasons why the three-piece instrumental band formed in Timisoara in early 2007. Combining stoner-rock vibes, 60s psychedelic, 70s rock 'n' roll with hints of old prog rock and post-metal - along with colourful, hypnotising visuals in a live setting - the band take an almost shamanic approach to music, acting like an intermediary between the listener and that mysterious and far away realm behind your eyelids.

SCOTLAND: The Pop Cop
My Cousin I Bid You Farewell - What We Are Eating Tonight
If this song is anything to go by, My Cousin I Bid You Farewell are cooking up something rather tasty. As a statement of intent for a band who have been around for less than a year, it reveals the scale of the ambition from within. It is big and it is clever. The Kate Bush-style piano melody, the brooding guitars and Jonathan Sellar’s haunting vocals - which resemble Win Butler’s - propel What We Are Eating Tonight into an anthem for the restless. Cracking song, cracking band.

SINGAPORE: I'm Waking Up To...
Jonathan Chan - Water Line
Taking a step back from the catchy power-punk of his band Plainsunset, Jonathan Chan comes forward with a more intimate and soulful musical offering with his EP, Pencil Tracings. An illustrator in his own right, Jonathan perhaps did not find it uncomfortable to show a more earnest, intricate side to his music. With Water Line, he seems right at home sketching out a brief outline of the world going by, with a guitar in hand and a somber voice, singing of life's constant love.

SOUTH AFRICA: Musical Mover & Shaker!
LAN - In The City
Head-bopping, dance-inducing beats are what LAN are about. LAN (Local Area Network) are the live representation of two DJs (CodecVSTheSound). The band formed in late 2008 and are made up of Gerald and Raffael (who are Codec and TheSound) on synths, percussion, vocals and samplers with Chris Slabber on drums. They call their music a mix of anything from 70s funk to booty bass all dropped over the latest electro tunes. With their song In The City showcasing their many influences and what they have to offer, their new material is sure to set the dancefloors alight.

SOUTH KOREA: Indieful ROK
Sunkyeol - I'll Write When I'm There
Kyoungmo Kim of Especially When has a new band and their name is Sunkyeol. Equipped with great melodies and a bit of experimentation that leaves a warm, fuzzy feeling, Sunkyeol are currently looking for a label to release their first single. I'll Write When I'm There was co-written and recorded with Joe Hollick of Wolf People in a joint project that never took off.

SWEDEN: Swedesplease
Erik de Vahl - Running
Erik de Vahl describes his new record as "the straightest pop songs I've ever done but also some more experimental pieces". You can hear both influences on the single song Running. It has a Memphis slow jam feel with instrumentation that reminds me of a classic Ann Peebles track, but it's layered in such a way with so many found sounds and samples that it does sound truly experimental.

UNITED STATES: I Guess I'm Floating
Happy Family - Cups
Baltimore's Happy Family, sandwiched somewhere between Panda Bear and Atlas Sound, are the latest in a group of like-minded lo-fi psych-pop outfits (Memory Cassette, Neon Indian, Washed Out) to be picking up buzz around the blogosphere. Cups is one of my favorite jams of the summer, taken from the recently-released Sound Farm EP which you can grab as a free download here.

VENEZUELA: Barquisimeto Musical
Mr. Swing & The Bongo Clan - Mi Camino
Mr. Swing & The Bongo Clan are a new band that gathers nine talented musicians from the Conservatory of the City of Barquisimeto, the same place where the famous music director Gustavo Dudamel came from. After almost 10 years of work, these guys released their debut album Ska*Jazz Venezolano, merging two musical genres with a wonderful result. Mi Camino shows the real soul of this band.

Download all 31 songs HERE.

Selma Oxor, Selma Oxor



SELMA OXOR, SELMA OXOR

Nene Records, México ****
Rating: 83
By Carlos Reyes

Selma Oxor is the latest release from Nene Records, perhaps the most known Mexican independent label in the states and whose catalog is made up mainly of noise, punk and shoegaze. It’s common to see the bands on its catalog touring on small venues in the U.S. and have become a SXSW favorite, despite all the attention these bands don’t take themselves too seriously bringing total disorder into the scene, and of course we’re welcoming such disarray with open arms. Selma Oxor is the vindication of a blasted youth that has fun exploring rock, techno and pop, an all-in-one much distorted vision that according to their MySpace sounds like “a cow giving birth.”

Selma Oxor is a three-member band from Monterrey that is more familiar to us than we thought; lead vocalist Oxor is also the lead girl of Bam Bam, joining her is no other than Alexico and Violeta from Ratas del Vaticano. It was produced by Mou, one of the best producers in Mexico today, he really is giving rock producers a run for their money, I’d imagine he will be joining Martin Thulin, Yamil Rezc and Emanuel del Real as the ‘cream of the crop’ when it comes to avant-garde manufacturers. Selma Oxor brings some techno and pop into Nene’s catalog, which I’d imagine hardcore fans of the label will disgust, but it’s only proof of an self-rule of freedom they worship above all things, zero boundaries in music is always well greeted.

In its brainstorm of sound we could compare them with Bam Bam of course, but also Sonic Youth, White Denim, Jessy Bulbo and the Yeah Yeah Yeahs, all which I find very accessible but flourish in rock’s advancement. The opener “Spend la Noche” starts the show with its parental advisory lyrics that are extremely sexual and cute, pulling off some genius spanglish words I wouldn’t mind adding to my vocabulary such as “withmigo” or the title itself. There are six skits that I must confess, extracted out of my iPod, they showcase the band’s personality and the impulsive energy of the recording but they only work wonders on the first impression, they get too distracting on repeating spins and can be washed out without hurting the actual songs.

“Memo el Gremlin” smells like a perfect single, in its own way I must say, I’m not sure how happy a radio programmer would be to broadcast a song about a gremlin, those mischievous creatures Hollywood popularized and who our singer wants to marry. The beats by Alexico in “Enamorada” show that his Dios Es Lo Maximo! and its 33 tracks worked as an exercise and workshop of unconventional sounds, as the girls in the song fall in love with a trucker man he’s having sex with his beats. You’ll get chills and your heart might pump harder with “Abrazame Demonio”, a moment of useless exertion perhaps, but it is one of those few perfect songs we’ll get to hear this year; it effectively transitions its noisy punk into some kind of urban channel uprising the song into the heavens, will the devil save them from such condition? It’s one of the year’s breakthroughs, let’s burn!