Mexican Institute of Sound - Político
Nacional Records, Mexico
Rating: 79
by Andrew Casillas
I’m 27 years old now, which is relatively young in the large scope of demographics, but relatively old in the land of Internet rock-crit. I’ve also begun the transition from listening and enjoying “Losing My Edge,” to actually living the damn song. With your 3Ball and your Ases Falsos and everything else I like but can’t fully represent because it’s “for the kids.” And that’s fine—it doesn’t take any enjoyment out of any great music made by 90’s children. But when a musician long since seen as uncool makes a great record about a weighty adult issue, it only makes those “out-of-touch” feelings seem like common chattel.
That musician: Camilo Lara, better known as Mexican Institute of Sound. Bursting onto the scene at the height of the George W. years, MIS was the super producer that Iberoamerican pop had been craving for years. The indelible, crate-robbing samples and funky beats became progressively less off-kilter and more straightforward as the time passed, to the point where his music has the fit the straightforward, middle of the road identity commonly attributed to his label, Nacional.
But on his latest album, Político, Mexican Institute of Sound becomes the Mexican Institute of Sound. The record announces its theme fairly explicitly, even quoting the Mexican national anthem on its first single. Político centers itself around the pervasive corruption embedded in many facets of Mexican government and the police power. The record doesn’t aim to “solve” anything, though. If you’re interested in the message (especially if you live in Mexico or follow the news very carefully), there are some enlightening takeaways.
But me telling you that Político is most interesting if you’re a politico is like me telling you that a U.S. Supreme Court opinion is most interesting if you give more than two shits about jurisprudence. HOW ARE THE TUNES, amirite? Well, there are some great ones on here. Lara junks the faux-retro grooves and thick bass for traditional Mexican instrumentation, anonymous (uncleared?) samples, and pinball machines—definitely a more analog aesthetic. “Revolución!” moves like a train through hellfire and b-boy schtick. “México” sounds like “Where It’s At” filtered through kush and tapatío. And “Es-Toy” sounds like a fucking CARNIVAL—and Goddamn is that amazing. If the lyrics didn’t sound so serious all the time, you could probably get away with playing the whole thing at your tía’s birthday party.
And that’s the best thing about Político. Lara has finally conceived a record that’s entirely on his terms, infused with his idiosyncrasies and personal beliefs—but it still delivers one hell of a party. It may not be for everyone—and there’s certainly a few bits that could easily turn off the unfamiliar (the entire last quarter of the album specifically), but this ain’t no big tent. This is a great record. That’s really all I need to say.
Video: "Yo Digo Baila", Mexican Institute of Sound
New video from the Mexican Institute of Sound, “Yo Digo Baila” is the worldly infectious second (or third?) single from Soy Suace. “Yo Digo Baila” is a club-banger with a Banda layer on the background and its encounter with the electronic gene; on the surface, a negotiation and compromise between the two genres and the call-response Spanglish interaction of its chorus. (Read my review here). The video was directed by my second favorite contemporary Mexican director Fernando Eimbcke (Temporada de Patos, Lake Tahoe) and Alejandro Cantu, one of our finest cinematographers whose great works can be appreciated in the films of the also amazing filmmakers Julian Hernandez and Ivan Avila Duenas. These guys love to work with black and white, and it’s great to see them scoping something as thrilled as “Yo Digo Baila”, they’re great at capturing motion as well as Camilo Lara’s utterly weird static dance moves. There's also a video for "Alocatel", you can watch that one here.
Music vs Music, NSM PSM
MUSIC VS MUSIC, NSM PSMEMI, Mexico ***
Rating: 68
By Jean-Stephane Beriot
NSM PSM or No Somos Machos Pero Somos Muchos has been making noise for a while in Mexico City’s nights of hipsteria, which they have contributed to build as pronounced DJs with some hits of their own already. The duo that forms NSM PSM is also part of the live band that makes up the Mexican Institute of Sound, mindless to say this is an album people has been anticipating for a while. While most of our region’s electronic acts endeavor Europe’s poignant electronic pop sonic world these guys sound a lot funkier, even jazzy if not lounge. They put plenty of precision to every beat, and they’re determined to make explosions out of them.
The video for “Clap Your Brains Off” brought them attention from just everybody, even from Kanye West and let’s not forget that extensive mind-opening article on American Cinematographer. The track is addictive; I seriously don’t mind putting my health on risk for at such sonic heights because after all, I guess that’s what an individual with “alto criterio musical” would do. Music vs Music is like an energized computer-based monolog that becomes something too much to consummate, but let it be clear it’s a unique experience not for its concept or innovations, these guys are just in full control of their practice. It also helps that they’re not as heavily impossible as NASA’s The Spirit of Apollo.
NSM PSM is clearly ambitious and they realize that scratching isn’t enough to make visible scars; I guess you need repetition and it’s definitely here. The fact that the album’s structure is depicted as a one-linear long track makes it difficult to highlight certain tracks and very easy to point out the dry spots. “It’s Going Down” steps out immediately because of Anita Tijoux’s appearance on the vocals, the claps and bouncing waves work wonderfully here as well as in the tracks with additional samplings like the should-be-second-single “Music vs Music” and some of the interludes. Despite some forgettable moments and a lack of direction, NSM PSM manages to sound excruciatingly contagious and messy all throughout, which is probably what they aimed for on the first place, plus, how awesome is that artwork!
NSM PSM Remixes Justice
Favorite New Alternative Mexican Acts: Los Macuanos, Maria y Jose & Los Amparito
Los Macuanos, Maria y Jose and Los Amparito have to be my favorite new alternative acts from Mexico, I'm loving this entrance into a naif fusion, very post Nortec-El Guincho-M.I.S.-Sr. Coconot, these three acts make our latest compilation Fonogramaticos Vol.3 very special. As far as I know, none of the acts have a label yet, nor have they released anything through a netlabel, but they're working on releasing their songs very soon. It's an exciting sound and they're building friendiship among the three and as we have seen before, that's the way to do it. The kind of stuff Mad Decent drools for. We didn't know much about Los Macuanos, so they're virtually new to us, but we're very familiar with the minds behind the other two projects. Maria y Jose is the second project of Unsexxy (Unsexy Nerd Ponies), and Los Amparito is the third project by pepepe, who explores similar grounds in his latest Poni Republic release Roba Orgon de Plantas y Animales. Make sure to download a mixtape Los Macuanos published through Brillo Monthly very recently, it's full of Cumbias!
MAP - Music Alliance Pact April
4 Thing One – Mop Yards
New Jersey's Thing One have been on my radar since last year when I first heard a few tracks from their debut album You'll Be Fine. Mop Yards brings traces of The Smiths and ELO into the new millennium with strange electronic warbles and dancey synth patches. Singer Joey Palestina creates a veritable summer anthem with the repeated line, "The heat is non-stop, hide the women in cop cars". Whatever that means, Joey, I feel ya.
4 Chau Fan – Boletos De Tren
Chau Fan is a boy-girl indie folk (or anti-folk?) duo from Buenos Aires, starring Micaela Quinteros and Marcelo Lares. They both sing and play acoustic guitar, and in this particular song Micaela does a charming harmonica solo. Boletos De Tren will be part of Zonaindie's new compilation which features five songs from artists who have never had the chance to record in a professional studio (we invited them to the studio and helped them record). So consider this a MAP exclusive premiere.
4 Lisa Mitchell – Coin Laundry
So, yeah, this could easily be an iPod Nano commercial, but catchy accessibility is hardly a terrible quality for a song to have. Who really expected a former Australian Idol finalist to produce anything of worth? This is a lovely song and I hope it gets overplayed.
4 Hurtmold – Música Política Para Maradona Cantar
There is no other band like Hurtmold. You have to listen and feel it. It's more than music, it's an experience.
4 Dinosaur Bones – NYE
Dinosaur Bones are currently attracting all sorts of interest on the back of their debut EP, and this song makes it easy to see why. They blend together The National's world-weariness and a very English-sounding pop sensibility, with the end result something that's entirely their own.
4 The Same Sky – We Sleep Under The Same Sky
The Same Sky is the music project of Joseph Simon, a 15-year-old Chilean who was born in Canada. It is precisely this biographic fact that can define his music – warm guitar sounds of slow rhythm alongside a smooth voice heavily influenced by bands such as Beirut, Arcade Fire and The National. The recent release of his first album (Two Hearts / Apart Under The Same Sky) supports this feeling of songs as a perfect soundtrack for winter days spent at home, enjoying the natural melancholy.
4 Ruhan Daisy – We Know You
There's quite a bit of post-rock going on in Scandinavia these days, one brilliant act being this Danish quintet. It's grandiose, funky with bits of (acid) jazz thrown into the mix and sports an equilibristic sense of detail. Ruhan Daisy's crowning achievement, however, is their catchy pop sensibility driving the complex compositions out of nerd-country into the mainstream. At least that's how it should be.
4 Alessi's Ark – The Horse
Alessi's Ark is west London teenage sensation Alessi Laurent-Marke and here is the single version of The Horse from the Mike Mogis-produced new album, out next month.
4 Palma – Ride Around
After a couple of years in the making, Helsinki band Palma recently released their debut album Be Bold And Mighty Forces Will Come To Your Aid. Palma refers to an old soda drink in Finland and the band, indeed, produce some refreshing indie-pop songs, rooted in the classic sounds of the 70s, and with a danceable groove. It's retro and modern. For fans of The Soundtrack Of Our Lives and Supergrass.
4 Sundogs – So Close
Sundogs are a French band who live in London but play in both England and France. The group is made up of two guys - bassist Jeff ("le petit blond") and Pierre on guitar. The other musicians are French or English guests, depending on where they are playing.
4 Lali Puna – Nin-Com-Pop
Lali Puna is another band from the great Weilheim circle led by Valerie Trebeljahr. Established in 1998, I consider them to have a higher creative potential than recently featured The Notwist, where her boyfriend and Lali Puna fellow Markus Acher is playing. Nin-Com-Pop is a song from their second album Scary World Theory. A new record will be released later this year.
4 Lay Low – Last Time Around
Lovísa Elísabet Sigrúnardóttir is a 26-year-old half-Sri Lankan, half-Icelandic singer, born in London. She sings under the name Lay Low and her music is a combination of blues, folk and country. This year, Lovísa has already supported Emiliana Torrini on tour and signed a record deal with Nettwerk. Last Time Around is on her third solo album, Farewell Good Night's Sleep.
4 202s – Ease My Mind
There was a general air of being caught unaware in the Irish media and bloggers when this duo's debut landed on their desks. Without any gigs and already signed to French label Le Son Du Maquis, their charming Primal Scream and Broadcast-indebted indie-pop has skipped a few hurdles without skipping on the tunes.
4 Gazebo Penguins – Wallabees
A punk band that quotes Alfred Korzybski? Yes, please. The Name Is Not The Named is the title of Gazebo Penguins' new album and it's full of powerful hardcore in the style of At The Drive-In, with a nod to Motorpsycho. Sharp guitars, heavy rhythms, driving choruses and smart attitude.
4 Mexican Institute Of Sound – Reventon
Mexican Institute of Sound is a solo project by the multi-talented Camilo Lara. He just released his third album Soy Sauce, another celebration of Mexico's traditional music fused with funky tunes, electronica and the genre that's getting ready to shake the world again, cumbia. MIS is an explosive adventurous musical ride of our rich culture. They are preparing to perform at this year's Coachella festival and with songs like Reventon, it is sure to get the fiesta up in wild spirit.
4 Three Legged Horse – Red
Red is the opening track on Down, the debut album of Three Legged Horse, a trio from Waiheke Island, around 20km offshore from Auckland. The band bring together the grungy dark introspection of lyricist/vocalist Bede Taylor, the smooth powerful vocals of Gina Higham and the musicality of Aaron Carpenter into a combination much greater than the sum of its parts. Red is a good intro to an extraordinary album that melds acoustic country blues with dirty guitar and vocal grit and growls.
4 Dylan Mondegreen – Animal (Hiawata! cover)
For this month's MAP I will present not one Norwegian act, but two. The performing artist here is Dylan Mondegreen, one of my absolute favourites in Norway. He is currently working on his second album, which should be released later this year. The song he sings is written by another favourite of mine, an indie-pop band from Oslo called Hiawata!. Mondegreen's cover of their song Animal was a b-side on Valley Boys, the first single from their second album, These Boys And This Band Is All I Know, due out soon on SellOut! Music.
4 Autobus – Volver
Autobus formed in Lima in 2006 and released their debut album last year. Although they have a clear rock essence, they have electronic influences and a pop touch which sets them apart from their peers, so much so that many people are surprised by where they come from. They have made a good impression abroad, achieving their aim of drawing attention to the local scene.
4 The Clits – Lay Low
If there was a such a genre as electro-psychic-punk-rock-pop, The Clits would be the kings. It all started in 2006 when Carlos (guitars, keyboards and backing vocals) invited Ana Leorne (vocals) to form an electro-punk project, influenced by the riot grrrl movement and some of their favourite artists such as Joy Division, Bauhaus, Nina Hagen and Suspicious (another Portuguese electro-punk project). Their first record, The World Is A Mess But My Hair Is Perfect EP, was released in December 2007.
4 Persona – Momentary Lack Of Passion
Inspired by Ingmar Bergman's movie Persona, this band belongs to the new generation of Romanian musicians that bloomed after the anti-communist revolution of December 1989. The group's members have been involved in the music scene since then, playing in several acts before forming Persona. Their music is, indeed, one of British influence but cannot be strictly labelled – the musical background and influences of each of the members, refined by experience and artistic maturity, blend together in the Persona genre.
4 There Will Be Fireworks – Foreign Thoughts
Bands of the calibre of There Will Be Fireworks are far too rare, but that's not a bad thing because you'll end up appreciating them all the more. Although TWBF seem like the perfect new students in Scotland's renowned post-rock school, their take on the genre is far more moving and lyrically impassioned than anything that has gone before them. Foreign Thoughts, taken from the Glaswegians' forthcoming eponymous debut album, has the beautiful intensity of a Band Of Horses classic and will stay with you long after its three-and-a-half minutes are up.
4 Astreal – Snowflake
Some may say that when you're in love, the stars align. For Astreal, love is more of a cosmic collision course between stars and planetary bodies. In the unassumingly titled Snowflake, there lies so much destructive potential in a love so intense that, yes, even "the stars, they burn for you". Taken from their second album Fragments Of The Same Dead Star, the song combines the melodic infatuations of shoegaze with the aural impudence of noise-rock for a blistering and haunting love song that almost borders on maniacal obsession. Is this love? That's for you to decide.
4 Toxicbiasfleurivy – Parallel Assembly
GDM duo Toxicbiasfleurivy might not be the obvious choice for MAP but their latest album, Particles, provided an interesting exception from my usual listening when it was released late March. Electronic, experimental and pretty much the opposite of easy listening, the listener is advised to enjoy astral emotions while digesting this music inspired by quantum physics.
4 Anntona – Nunca Es Tarde
Apart from his membership in the band Los Punsetes, Manu has a solo project called Anntona, in which he makes the best pop songs imaginable. He has just released his second album, En La Cama Con Anntona ("In Bed With Anntona") which contains 10 fizzy and addictive pop pearls such as opening track Nunca Es Tarde.
4 The Late Call – Linnea
The Late Call is really just one guy (and friends) from Stockholm named Johannes Maye. His debut album, Leaving Notes, chronicles the long distance relationship he had with his girlfriend. The record and this song has an organic feel on account of the mostly acoustic instrumentation. Linnea is a perfect example of the gorgeous pop you can expect from The Late Call.
To download all 25 songs in one file click here.
Soy Sauce, Mexican Institute of Sound
SOY SAUCE, MEXICAN INSTITUTE OF SOUND
Nacional Records, México ****
Rating: 88
By Carlos Reyes
Instituto Mexicano del Sonido’s third feature is a monument of musical festivity; let it be for its complex production or funky catch tunes, but especially for its multi-layered sound that elapses time and conjuncts the diverse musical palette and periods of Mexico’s alter melodic spirit. Soy Sauce may not be a quick catch; the reduction of samplings from Mejico Maxico and Piñata has lead to advancement in the actual creation of sounds and a stronger formation of lyrics. It doesn’t take a second to disclose its magic; “Cumbia” introduces the show with majestic elevation, the high registration of the brass instrument and the support of the accordion, which rounds gently every sequence. Lead single (at least for the U.S.) “Alocatel” is a party entourage and in a charming way, very cynical, its remix by Ad Rock (Beastie Boys) sounds epic, like the marathon illustrations that surround the album’s awesome artwork.
Soy Sauce is a post-modern depiction of its culture, a robotic approach to the traditional sounds of our culture and a lot more. “Yo Digo Baila” is a club-banger with a Banda layer on the background and its encounter with the electronic gene; on the surface, a negotiation and compromise between the two genres and the call-response Spanglish interaction of its chorus. The leading single for Mexico is “Hiedra Venenosa”, the adventurous and frenzied piece of the album outsiders might not fully understand, but it’s like a Mexican-style conflicted fairytale involving a guy in love and a venomous girl who rocks his world. The populachero album continues with the musical reinterpretation of “Karate Kid 2”, inspired by the movie of course, and whose popularity in Mexico is out of proportion (Televisa’s Canal Cinco airs it every other weekend), the people is very receptive to such story because of the political distrust people have on their officials and because it is optimistic enough to bring power to the common pedestrian.
My favorite moment of the album arrives with “Reventon”, if that’s not a party enticement then I don’t know what is; it tells you where the party is, even suggests how to get there. It includes what has to be the most hilarious line in a song this year, Camilo Lara singing Bersuit Vergarabat is a revelation and a fortunate spicy moment. “Te Quiero Mucho” and all its animals sustain the sweetest and most nostalgic piece of the album and one of its best. “Sinfonia Agridulce” is a bizarre ranchera, perhaps a bit too condensed and forced for its own good, but it works within the boundaries of the tracks surrounding it and the fiesta spirit of the album, a drinking moment had to be here. Overall, Soy Sauce can be interpreted as the joyful ride of the popular song in the hands of the right mind to progress it.
♫♫♫ "Yo Digo Baila" (Quiero Club Remix) - Exclusive
buy it @ amazon
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Probadita: Soy Sauce, Instituto Mexicano del Sonido
Listen to a couple of tracks from Soy Sauce, the upcoming album by Instituto Mexicano del Sonido.
New Single: "Hiedra Venenosa", Instituto Mexicano del Sonido
Instituto Mexicano del Sonido will be releasing its third production titled Soy Sauce (Nacional Records) due in early April, we were big fans of both Mejico Maxico and Piñata, not only are they great musical efforts but selective material I find to be important to our identity. This new single is right out of the oven, and it’s an exciting one. “Hiedra Venenosa” is a fun adventure with a charming scope on the kind of love that hurts since first impression, but it’s too fun to even try to let go. I think we just found our leading track for the next Rocola.
Toy Selectah, IMS/MIS & La Onda Tropical
In a few weeks Jean-Stephane will be compiling the top 10 lists of our fellow bloggers once again, for the meanwhile this is a post dedicated to our friends and their lists. First, we got the short lists by Toy Selectah and Camilo Lara (Mexican Instfaitute of Sound), both sent their lists after our post with the rest of the artists’ lists. Some very sad news, our friends from La Onda Tropical are taking a long break (hopefully it’s just a break), Chapin had contacted me interested in joining us and while his blog enjoys some rest we are happy to welcome him into the club. Expect the first 2009 albums reviews very soon.
Toy Selectah:
- Los de atras vienen conmigo – Calle 13
- En tu area – Sekreto
- Masacre Musical – De La Ghetto
- Meeting of the minds – Eric Bobo
- La luz del ritmo – Los Fabulosos Cadillacs
- Alegranza! – El Guincho
- Barracuda – Kinky
Mexican Institute of Sound:
- Tijuana Sound Machine – Nortec Collective Presents Bostich + Fussible
- EP – No Somos Machos Pero Somos Muchos
- Alegranza! – El Guincho
- Un Dia – Juana Molina
La Onda Tropical:
- Los de atras vienen conmigo – Calle 13
- Somos Pacifico – Choc Quib Town
- Rio – Aterciopelados
- MTV Unplugged – Julieta Venegas
- Greatest Hits – Acida
- Mar Dulce – Bajofondo
- Tijuana Sound Machine – Nortec Collective Presents Bostich + Fussible
- All u need is mosh – Plastilina Mosh
- Cosita Buena – Orishas
- I like it like that – Fania Remixes




