Showing posts with label los amparito. Show all posts
Showing posts with label los amparito. Show all posts

Colateral Soundtrack - Collage

Collage, Colateral Soundtrack
Independiente, México
Rating: 79
by Reuben "Judah" Torres

Collage begins, quite literally, with a false start, the opening track, “1911,” stuttering as it tries to find proper footing. A pulsating beat ruminates over a distant siren. A lo-fi drum track inches in before fully consuming the mix, only to fade away as a muddled chant bleeds into the foreground. The track’s quiet introspection, its brooding meanderings and second-guessing, could all serve as a terse encapsulation of the album’s aesthetic, an uneven work that nonetheless manages to shine through its moments of understated splendor.

Colateral Soundtrack is the work of Guadalajara’s Edgar Mota, who also performs in the lauded laptop folk outfit, Los Amparito. Mota describes his influences as ranging from Mexico’s current political situation to “a couple of moods.” The latter is particularly evident in “La escondida y la ciudad de los mil caminos,” a song that struggles to find leeway for a sole vocal track amidst a languid piano phrase and banal radio fodder. The vocalist’s passionate wails, which resonate with almost classical grace, suffocate in a slew of mediated distraction, becoming just another compendium of frequencies in an endless sea of noise.

“Buen día," on the other hand, functions almost like its flip side: all noise, no harmony. The listener is assaulted with scattered patches of a consumerist fantasy that seem to evoke Mexico’s golden-era economic boom. The pervading mambo number, rather than serving as the rhythmic center, operates as yet another sound object in Collage’s disparate palette, presenting a starry-eyed rendition of that epoch’s unbridled optimism and carefree exuberance. All of this plays out to conceptual perfection, though it sadly wears off by “Sociología,” a track woven from the same cloth as its predecessors, but undoubtedly lacking in luster, quickly exhausting the use of found sounds. Fortunately, the album concludes on a high note. "Me enamoro cuando...” closes off with Apache O'raspi’s otherworldly voice guiding the listener through a blissful escape into an idyllic reverie.

It would be easy to designate Mota’s work in Colateral Soundtrack as a Mexican iteration of hypnagogic pop, especially in light of his involvement in Los Amparito. A trite categorization, to be sure, as Mota forges a work that coheres into a unique realm of ephemeral phantasmagoria that is wholly its own. Though redolent of a bygone era, Collage’s conceit lies in evoking how the residues of our dream worlds construct our future reality. The past, no doubt, is in the present.



Video: Los Amparito - "4500 millones de años de soledad"


CF’s staff is getting a little desperate regarding Los Amparito’s much-anticipated debut. We’ve been salivating that album for so long, it’s starting to become a myth. Not too long ago, Los Amparito’s mastermind Carlos Pesina expressed his intentions of distancing himself from too much sampling, to instead, construct every music layer from scratch. Considering our most beloved albums are operas primas, we can only help Los Amparito keeps its flame alive. In the meantime, the electro-folk act has kept momentum with interesting remixes (Carrie, Julieta Venegas, Antoine Reverb), collaborations (w/ Carla Morrison), and a series of fuzzy vintage clips. Constructed by Jaiziel Hernandez Maynez, “4500 millones de años de soledad” is Los Amparito’s most gorgeous clip yet.

Video + MP3: María y José - Corazón Corazón (Los Amparito Remix)


Club Fonograma has been awfully slow in the last two weeks, but today was my last midterm exam (my free hours back to CF). You all know that sense of momentary relief from all that post-academic stress; it only lasts about half a day, but that tiny tranquility (and sense for celebration) reaffirm all the study sessions were worth it. This video for María y José’s “Corazón Corazón” (Los Amparito Remix), from Fonogramaticos Volumen 5, captures how I’m feeling today: indefinably blissful, colorful & smooth.

Featured: Los Amparito feat. Carla Morrison - "Cuatrociénegas"

Featured: Los Amparito feat. Carla Morrison -"Cuatrociénegas"

Fonogramaticos Vol.4 opened with Carla Morrison’s beautiful nana “Valentina” and was followed by Los Amparito’s hit “Por Medio de la Lectura”, seems like their styles really do get along. The new pop sensation and the folk-alternative band have released a new collaboration titled “Cuatrociénegas” as part of Carlos Pesina’s (Los Amparito mastermind) weekly Odio Los Jueves series. It’s raw and flowy, almost lo-fi, yet it’s one of Los Amparito’s most traditional pieces yet. The execution of tiny sonic explosions is phenomenal, especially in the way they counterpart Carla’s angelical vocals.

This is their second song together, last year we fell in love with Pesina’s remix of “Nunca Me Dejes”, still one of our favorite songs from Morrison’s fantastic Aprendiendo a Aprender EP. “Cuatrociénegas” is the perfect song to play on a stormy day, when one becomes aware of nature no matter what, "voy buscando un lugarcito bajo el sol." There are still no details on the much anticipated debut release by Los Amparito, but Carla’s Mientras Tu Dormias drops next month on Cosmica Records.

♫♫♫ "Cuatrociénegas"

Summer Jamz 2010 - Let Me Put My Rhythm In You [UPDATED LINK]

It's that time of year. Summertime. Not just the time of year when the sun begins to make you hallucinate so badly that you begin running after a paleta that's JUST OUT OF REACH. No, it's SUMMER JAMZ SEASON! The "Summer Jamz" series started out at wonderful Stylus Magazine, where the staff would create customized mixtapes based on a general mood, theme, or meditation influenced by the season. And even though Stylus lies in the internet graveyard, many of its writers still continue the "Summer Jamz" tradition through the website The Passion of the Weiss, which is run by the world's greatest hip-hop writer (and former Stylus alum) Jeff Weiss. This year's other Summer Jamz have been running on that site throughout the summer, and will continue for the next few weeks, and I'd highly recommend checking some of them out.

However, I'm here to post the entry compiled by me and Jeff Siegel, another Stylus ex-pat who's an overall brilliant and talented man. He's also responsible for that funky bit of cover art above. Our general theme was "hypnotic and lazy," and I hope we've delivered. The link and tracklist are below (with many of your Club Fonograma faves!). Please, pick your feet up and enjoy this sweet, sweet digibrilliance.

Link: Let Me Put My Rhythm In You [updated link!]

Disc One*
1) Cluster & Eno - "Schöne Hände"
2) Café Tacuba - "13"
3) Memory Cassette - "Surfin'"
4) Los Espíritus - "Pacifico-Atlantico"
5) Mark E - "Smiling"
6) A Tribe Called Quest - "Electric Relaxation"
7) Emilio José - "Rio Grande do Sul"
8) Hoahio - "Jellyfish"
9) Pérez Prado & His Orchestra - "Cherry Pink & Apple Blossom"
10) El Guincho ft. Julieta Venegas - "Mientes"
11) Horace Andy - "Money Money"
12) Loop - "Mother Sky"
13) Andrew Paine - "The Radioactive Cat"

Disc Two*
1) Los Amparito - "Los Miradas de Magaly"
2) Fantastic Mr. Fox - "Bricka-Brac"
3) Actress - "Hubble"
4) Glissandro 70 - "Bolan Muppets"
5) Prissa - "Lógica"
6) Joyce w/ Nana Vasconcelos & Mauricio Maestro - "Metralhadeira"
7) The Meters - "Cissy Strut"
8) Natalia Lafourcade & Emanuel Del Real - "Diente Blanco, No Te Vayas"
9) Four Tet & Rothko - "Rivers Become Oceans"
10) Illum Sphere - "Psycho"
11) Madame Mboty Mamy & dit Mama Tsara - "Maman Ny'Lisa"
12) Juana Molina - "El Perro"
13) James Ferraro - "Blacktop Tumble Weed"
14) Santo & Johnny - "Sleep Walk"

* This mixtape isn't really two separate folders. I just like to conceptualize it that way.

Video: Los Amparito - "Por Medio de la Lectura"


We learn via Panamerika about the new video by Los Amparito for their hit “Por Medio de la Lectura.” You should know their music by now, if not, you’re missing out on one of the most exciting new bands on our circuit. Los Amparito grabbed a nomination for Best New Artist at this year’s Indie-O Music Awards, another hint of why they should be releasing some sort of release soon. Mastermind Carlos Pesina (Pepepe) is quite a visionary and this glossy, highly textured and glooming video does a tremendous job scoping a song built on shouts and fireworks. Los Amparito was just announced to perform at this year’s Sonar in Spain, they’re going places!

8106 Presents Riesgo, Compilado II



Our awesome friends at 8106, fellow nominees for Best Digital Media Publication at this year’s Indie-O Music Awards, just released their second compilation titled Riesgo. The splendid and trendy blog teamed up with Reactor 105.7 to freeload six pieces that are not to be missed.

The compilation opens the show with Toy Selectah’s terrific remix of “Lo Comandas” from the wonderfully bright kids of Banda de Turistas. Toy’s unmeasured practices prove to be qualities once again, delivering a near perfect reconfiguration of an already quintessential track for the dance floor. After weeks of tremendous buzz, Rey Pila’s “No.114” still feels like a giant “multifarious” chant that is both, painful and celebratory of a breakup.

Riesgo premieres a couple of songs, including a new essential song from Club Fonograma beloved group Quiero Club. The compilation includes a remix of “Musica” by She’s A Tease, it is the band’s new single and will be ‘properly’ released soon featuring several remixes. Abominables, previously known as Six Million Dollar Weirdo! are definitely not among our favorite bands, but they’re so stylized that it’s actually fun to witness their glamorous world, plus “Horror Amor” is a pretty good song. They’re featured with a remix by Disco Ruido, who pushes them into risky business, in fact, “Diamantes” sounds like something coming out of Hidrogenesse.

Los Amparito are just house favorites and their song “De Alla De Un Mundo Raro” is like most of their songs, a hypersonic voyage appreciative of its space and delicacies. The compilation concludes on the roof-scattered vocals of Juan Son, who is featured with a brand new song titled “Mr. Owl.” I don’t think he has ever sounded more creepy than here, but it’s a kind of consoling pain coming out of his vocals that justifies the bizarreness of his fantasized sublime world. “Hello kid, I’ve been watching you…”

We apparently know about compilations, we can say this is one worth to have on your hard drive. Download it at Reactor's Zona de Descargas.

SXSW Entry #4: "Los Amparito"/Banda de Turistas

So...last night was very interesting. I'll address what I mean in a sec. But for now, look at this funny sign:
Good Lord, that male stick figure has the body of Mighty Mouse.

ANYWAY, last night I was supposed to catch shows from Los Amparito and Banda de Turistas. Sadly, as soon as I walked into their gig, the band was finishing a song, complained of sound issues, and then silently packed their gear up. It was a shocking and somewhat sad development, considering the other recent issues the group has seen lately. Hopefully they don't leave sour on Austin or Texas, because they're a VERY talented band, one who I've successfully impressed on some friends in the past few days.

A few days ago, the New York Times made the outrageous statement that Austin was the "breakfast taco capital of the world" (Guanabee should also get credit for alerting me to this shocking development). Listen, I love you Austin, you've been my home for years now, but if I see ANYONE in this city boasting of this "proclamation," I will put on my soccer cleats and slide tackle you in the shin. First of all, Austin only has ONE decent taco place that's open 24 hours. Secondly, I don't think I've ever seen anyone in Austin eat a taco that DIDN'T have cheddar cheese in it (and if you don't know why it's wrong to put cheddar cheese in your taco, you must also write for the Times). Thirdly, and most criminally, STORE BOUGHT TORTILLAS. There's plenty of other circumstantial evidence I could use to disprove the Times' statement, but this is still a music site...until Carlos hires a food editor. As I've said before, I'm from San Antonio, a town of MUCH MORE taco authenticity, and the big city who should rightly be called "breakfast taco capital of the world." Now, obviously anyone who's ever been to the Rio Grande Valley can rightly proclaim that area to have the best tacos in Texas, but good luck getting a New York Times reporter to go down there and say that (kiddiiiiiiiiiiiiiiing, I love the Valley). And I'd love to rep for SoCal, but every time I go over there, some tells me that they "don't eat tacos here...we eat burritos." Well, excuuuuuuuuuuuuse me! Anyway, we all have the right to rep whatever city's tacos that we want, but please, anywhere but Austin, right?

But I digress, I went over to Flamingo Cantina (home of last year's super-awesome Natalia Lafourcade/Hello Seahorse!/Juan Son gig--I maintain that the showcase should have been called "Los Descatados curated by Carlos Reyes") to check out the super-handsome Banda de Turistas. In a sense, their show was a microcosm for the Latin rock star experience at SXSW. Here they are, a band virtually worshiped in their homeland Argentina, but now playing for 50 die-hard American (and maybe Argentinean) fans, yet they still have the mindset that they're playing for thousands of their countrymen. The two guitarists wandered the stage as if they had dozens of feet of free space, always in danger of bumping up against the other. Their keyboard player was tucked away next to the wall, never looking comfortable with what he had to work with. Their lead singer looked away, never seeing a camera that he didn't like. In a way, it was charming, especially because their show hardly suffered from this "demotion." At first, I was going to complain that their music rarely strayed from either a "struting" or "striding" tone, but as I looked at the crowd's reaction (and the reaction of my friend/photographer), I realized that this is precisely what got them this far. Particularly when the band hit its high note on "Sueno O," you could understand how this textured approach to pop-rock can be infectious at times. They still come off to me as a bit too much like Babasonicos-devotees rather than their own band, but after seeing the crowd last night, maybe I really don't know anything. Except where to get a good breakfast taco of course...

Los Amparito - "4500 millones de años de soledad"


We don’t know about you, but Los Amparito sure seem like THE most interesting act to catch at this year’s SXSW. Carlos Pesina is one talented kid, what appeared like a difficult project to endorse proved to find a cheerful audience. “Por Medio de la Lectura” didn’t make them a household name, but Los Amparito wowed the right people and the buzz among ‘the scene’ was overwhelming. Pepepe, as he is also known, was recently robbed by some corrupt bastard cops who decided to keep his laptop and now the group is hoping to raise some money so they can survive through Festival NRML and SXSW.

Los Amparito has set up a website where you can donate money and also download four of their tracks, including the remarkable “Las Miradas de Magaly” and their remix for Carla Morrison’s “Buena Malicia.” The band will also release an official remix for Julieta Venegas, we can hardly wait. But to get you in Los Amporito mode, here is a song we had yet to share with you, it's titled "4500 millones de años de soledad" and it's sublime.


Los Amparito Remixes Carla Morrison


Many of us are still waiting for the debut album by Babaluca, one of the few great bands from Phoenix and whose popularity was rising but destiny was saying otherwise. My friends and I would go to every gig attracted especially by its lead vocalist who decided it was time to move on (a smart move by any means). Carla Morrison is profiling as one of the year’s breakthroughs; she’s got an incredible voice, one of those extraordinary instruments that challenges producers and sound engineers to capture it on record. When I heard Los Amparito were remixing one of her songs I imagined it would be a tough job for Carlos Pesina, and even more with “Buena Malicia” which is so good and seemed untouchable, but he pulls it off quite well in what ends up being a very efficient practice and exercise.

In case you haven’t noticed, she has been featured twice on our Fonogramaticos, in the second one with a cover for Manu Chao’s “La Despedida” (under Babaluca) and on our latest which opens with the beautiful nana “Valentina.”

Los Amparito Remixes Panda Bear



Los Amparito, our MAP pick this month keeps delivering fantastic material, and for those who enjoyed the remixes for María y José ("Corazón Corazón") and Animal Collective ("Brothersport"), make sure to download the remix for Panda Bear's "Bros", one of my favorite songs of the decade from Person Pitch, one of my favorite albums of the decade. Los Amparito made a cumbia out of it, sounds like Bronco and El Remolon, don't miss out.

♫♫♫ "Bros" (Los Amparito Remix)

MAP: Music Alliance Pact June



MEXICO: Club Fonograma
4 Los AmparitoPor Medio De La Lectura
Los Amparito is the mind-blowing, eccentric and absolutely sublime project of Carlos Pensina. He is relatively well known in Mexico's indie scene for his more electronic act Pepepe, but Los Amparito have enormous potential to break into international boundaries. This sound is like a distorted Mexican mirror of traditional music mashed with its own repetition, flourishing vocals and colorful sequences resulting in something between Animal Collective, Amparo Ochoa and El Guincho.

ARGENTINA: Zonaindie
4 Le MicrokosmosEs Un Hermoso Verano Lunar
Guillermo Beresñak and Pablo Retamero got together in January 2008 in Buenos Aires. From this union came Le Microkosmos, an electronic ensemble in constant search for new musical experiences with synths, programming, instruments, vocals and orchestral sampling. This quest led them to create their own cosmos from each sound, such as this acoustic-electronic ballad taken from their brand new album, Y Vas Donde Sonrisas Te Dan Esos Encapuchados De Un Mundo Nuevo.

AUSTRALIA: Who The Bloody Hell Are They?
4 Dappled CitiesThe Price
One of Australia's, if not the world's, most exciting indie-rock bands, Dappled Cities are back with their third album, Zounds. It was written and recorded after an extensive period of touring their previous offering Granddance, a classic album in the minds of many critics. The Price is a fantastic taster for old and new fans alike, worthy of immediate playlisting.

BRAZIL: Meio Desligado
4 Júlia Says
Júlia Says have just released their second independent EP, Menos é Mais ("Less Is More"), in which the duo go deep inside electronica with some strong influences of dance-rock. The name of the band was taken from a children's story and it's a thing that helps us to connect to the fragile melancholy and beauty of Cá.

CANADA: I(Heart)Music
4 WildlifeSea Dreamer
How awesome is this song? So much so that when I saw them perform it during a soundcheck at a show in Ottawa recently, everyone in the room just watched in stunned silence and then exploded in wild cheers when it was done. To put that in context, that kind of thing never happens. But Sea Dreamer, in all its pounding, pulsing, marching-gleefully-into-the-apocalypse glory, is amazing enough to be the exception.

CHILE: Super 45
4 Valentina FelCirco Podrido
Full of aggressive beats, explosive sampling and social protest lyrics, Valentina Fel is the most logical evolution of a riot girl - punk almost in the realm of grime, do-it-yourself attitude with dancehall as a commodity and flamenco-injected defiance. Her long-awaited upcoming debut -to be release in the next few months - promises to be a massive earthquake in the dancefloor that nobody could anticipate.

DENMARK: All Scandinavian
4 Vomit SupremeVersus Love
A new project by Mattis Jakobsen and Malte Hill of Straight To Your Face, Rock Hard Power Spray guitarist Frederik Valentin and recently joined by bassist Karsten D. Johansen (Strawberry Slaughterhouse), Vomit Supreme have long been an All Scandinavian favorite. Punk aggression spoon with pop hooks and with the mighty Versus Love spearheading their campaign, world domination should be nigh.

ENGLAND: The Daily Growl
4 FanfarloI'm A Pilot
I'm A Pilot, the opening track on Fanfarlo's debut album Reservoir, sets the scene for what's to follow. It's a rich, heady brew of heavily orchestrated indie-pop which at times even feels like it's pulling its punches. It's the sound of a young band comfortable in their own grandiosity and as Reservoir carefully unfolds, it's impossible not to be swept along. From now until July 4 you can download the album from the Fanfarlo website for just $1, so you've no excuse for not owning it.

FINLAND: Glue
4 TV OFFCar Is On Fire
What a summer hit song! Cool and sexy! Singer Sara delivers delicious pop melodies over Markku's electro bits and sounds. This duo from Helsinki are putting the final touches to their debut album, but they have already gained attention around the world, playing in London and Tokyo. Soon TV OFF will take over the world.

FRANCE: ZikNation
4 Phoenix1901
For too long Phoenix have been overshadowed by Daft Punk and Air, but no more. Even though Phoenix are four albums into an increasingly fruitful career, 1901 is possibly the most immediate and loveable thing they've ever created. An anthem for indie kids, a dancefloor filler for disco dwellers. It's for everyone really.

GERMANY: Blogpartei
4 High Voltage HumansLaser Symphony (Catastrophy)
High Voltage Humans are a Munich-based electronic duo. The featured song is heavily energetic and balances guitar riffs with synth melodies sounding a bit like 80s space electro. It's a concrete four-to-the-floor flour-dust explosion.

ICELAND: I Love Icelandic Music
4 For A Minor ReflectionÓhljóð
For A Minor Reflection are a quartet from Reykjavík who play energetic, melodious, instrumental post-rock. They have earned comparisons to Explosions In The Sky and Godspeed You! Black Emperor. Óhljóð, which means "discordant noise", is taken from their 2007 debut album Reistu Þig Við, Sólin Er Komin Á Loft... ("Rise and shine, the sun's up...") on Blippr.com. Guitarist Kjartan Holm's older brother Georg plays bass in Sigur Rós, whom they supported on tour last year.

IRELAND: Nialler9
4 Sleep ThievesOsumi
Taken from It Was Only A Satellite, the debut EP from this Dublin three-piece, Osumi showcases the bleep-assisted electronic edge of their sound before diverting into heady post-rock guitar progressions, while singer Sorcha repeats a mantra atop like a prototype Natasha Khan. Their yearning indie-electronic-pop sound is reminiscent of Lali Puna, Broadcast and The Notwist.

ITALY: Polaroid
4 My Awesome MixtapeMe & The Washing Machine
I would have never expected to listen to an Italian band mix diverse sounds such as Anticon and The Postal Service, but when I heard My Awesome Mixtape I just had to change my mind. Infectious melodies and tight grooves, these young kids just seem to be unstoppable.

NEW ZEALAND: Counting The Beat
4 Lisa CrawleyBrother
Lisa Crawley is a multi-instrumentalist singer-songwriter who stands out from the crowd because of her voice and the playful arrangements of her folk-pop songs. Brother, from her second independently released EP Hello, Goodbye And Everything Inbetween, would be great on the basis of its plinky-plonk piano alone, but it's the trombone that lifts it to another level.

NORWAY: Eardrums
4 Firetop MountainHow Can You Dance At A Time Like This?
Firetop Mountain are four boys and a girl from the Oslo area, who play indie-rock with a strong melodic focus. Just last week they released their debut album Indians Aren't Afraid Of Heights on their own label. Their music is sometimes powerful and energetic - songs you want to jump around to - and other times more laid-back and sensitive. Good songwriting all the way.

PERU: SoTB
4 Mi Jardín SecretoYo No Quiero Bailar Esta Noche
Mi Jardín Secreto's debut album, La Ciencia Y El Arte De La Falsificación, contains 11 songs that flit between new wave, alternative rock and the sound of modern bands. The theme of the lyrics is a mixture of the warmth and coldness of the city of Lima, with characters who have adventures in a place and climate familiar to us all.

PORTUGAL: Posso Ouvir Um Disco?
4 :papercutz A Secret Search
What started as Bruno Miguel's music project is now a trio with female vocalist Marcela Freitas and multi-instrumentalist Francisco Bernardo. After appearances on various international compilations :papercutz are now signed to Montreal's Apegenine label, who released their debut album Lylac in February. In April, they were winners of the 'off the beaten track' category in The People's Music Awards in London.

ROMANIA: Babylon Noise
4 Luna AmaraFloodmoses
Luna Amara have been around for almost 10 years, during which they've managed to create an image and a name for themselves in Romania. From mellow alternative to angry metal sounds, their music is powerful and never fails to deliver its message. Floodmoses is taken from their recently released third album Don't Let Your Dreams Fall Asleep.

SCOTLAND: The Pop Cop
4 The Seventeenth CenturyTraffic
If Arcade Fire's Wake Up moved you to your core then get ready to fall in love with Traffic. It has that soaring choral majesty, that sprawling orchestration and The Seventeenth Century clearly possess ambitions that are no less lofty. Having had a listen to the young Glasgow band's forthcoming In The Place EP, we can say without hesitation that you're looking at the best new band in Scotland.

SINGAPORE: I'm Waking Up To...
4 Concave ScreamFiction
We visit one of Singapore's finest indie bands of the 90s with Concave Scream. Fiction, taken from their third album Three, hints at the flavors of DJ Shadow, The Cure, U2 and Butler-era Suede. It is a fine tune that could sum up the entire record with its use of ethereal vocals, otherworldly chorus-effected guitar lines and a blistering rhythm section. These days, Concave Scream are pushing the envelope of their musical whimsicality by releasing an instrumental fifth album that can be found on their website.

SOUTH KOREA: Indieful ROK
4 The Plastic DayI Miss Me Myself
Post-punk/grunge trio The Plastic Day released their first full-length album, 30 Seconds Between The Dreamer And The Realist, only last month but already they've gotten unusually high coverage in Korea-related English language media online. With an intense rock sound paired with English lyrics, there's no reason why they won't get even further. I Miss Me Myself might be one of the softer songs on the album, but it's one that instantly spawns an impulse to hit the repeat button.

SWEDEN: Swedesplease
4 Chuck MorganThe Best Of You
I don't know if there's a term for the sound of Chuck Morgan. The last post I did on this Gothenburg-based troubadour tried to peg him as "romantic indie-pop". His new song, The Best Of You, continues that sound but adds even more electronic beeps and blips to the mix.

UNITED STATES: I Guess I'm Floating
4 Janelle MonaeSincerely, Jane
The name Janelle Monae might ring a bell - she has guested on several OutKast songs and recently signed to Diddy's Bad Boy label. After seeing her energetic performance at Bonnaroo a few days ago I can say that she'll be one to keep a close eye on. Even if Sincerely, Jane doesn't do much for you, check out some live clips on YouTube to get the whole picture.

To download all 24 songs in one file click here.

El Nuevo Ruido Fronterizo keeps delivering the year's most exciting music


These guys keep exciting the heck out of me; I'm only starting to sound like a true fan because I am. The relationship built among Los Macuanos, María y José and Los Amparito is heading up to the complex grounds of musical brotherhood. Whether they might be able to break into radio is tough to say, I'm afraid people don't get just how well crafted their songs are. Honestly, I'm just waiting for them to release their songs properly, so far I've gotten a lot of equally enthusiastic reponses from friends, my collaborators and fellow music journalists (interestingly, all of them American). You can download three awesome tracks from a previous post here, and here is another three I can't stop playing on my iPod.

♫♫♫ “La Tierra Sagrada”, María y José
♫♫♫ “Corazón Corazón”, María y José (Los Amparito Remix)
♫♫♫ “El Ruidoson de la Culebra”, Fito Olivares (Los Macuanos Aguas! O te tronamos edit)

Los Amparito remix Animal Collective's "Brothersport"


If you liked “Las Miradas de Magaly” from our Fonogramaticos Vol.3, here is another song by Los Amparito. Definitely one of the most exciting breakthrough acts I’ve encountered this year so far. Here is a brand new remix for Animal Collective’s “Brothersport”, it’s been rolling on my iPod all day long. 

"Brothersport" (Los Amparito - hermano deporte mix)

Favorite New Alternative Mexican Acts: Los Macuanos, Maria y Jose & Los Amparito




Los Macuanos
, Maria y Jose and Los Amparito have to be my favorite new alternative acts from Mexico, I'm loving this entrance into a naif fusion, very post Nortec-El Guincho-M.I.S.-Sr. Coconot, these three acts make our latest compilation Fonogramaticos Vol.3 very special. As far as I know, none of the acts have a label yet, nor have they released anything through a netlabel, but they're working on releasing their songs very soon. It's an exciting sound and they're building friendiship among the three and as we have seen before, that's the way to do it. The kind of stuff Mad Decent drools for. We didn't know much about Los Macuanos, so they're virtually new to us, but we're very familiar with the minds behind the other two projects. Maria y Jose is the second project of Unsexxy (Unsexy Nerd Ponies), and Los Amparito is the third project by pepepe, who explores similar grounds in his latest Poni Republic release Roba Orgon de Plantas y Animales. Make sure to download a mixtape Los Macuanos published through Brillo Monthly very recently, it's full of Cumbias!