According to Juan Son, the first part of the song is like escaping from a city by jumping on a gull’s back (like in The Rescuers), and the second half is a sort of response to JLO’s “Jenny From The Block.” As random as that description might sound, it’s actually pretty appropriate. The call-and-response inner chorus “Oh Yeah!, Oh Si!” is like a cheering crowd for the inner spirit, and the whole “Don’t Call me Mijo… call me Papito (from the Block)" take the song straight to the alleys of Los Angeles. Also collaborating on the song are Kelley Deal (from Breeders), Brian Thorm & Ed Macanthee.
Stream: Aeiou - "Vivimos in L.A."
According to Juan Son, the first part of the song is like escaping from a city by jumping on a gull’s back (like in The Rescuers), and the second half is a sort of response to JLO’s “Jenny From The Block.” As random as that description might sound, it’s actually pretty appropriate. The call-and-response inner chorus “Oh Yeah!, Oh Si!” is like a cheering crowd for the inner spirit, and the whole “Don’t Call me Mijo… call me Papito (from the Block)" take the song straight to the alleys of Los Angeles. Also collaborating on the song are Kelley Deal (from Breeders), Brian Thorm & Ed Macanthee.
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Wow! que bien suena
ReplyDeleteWow, amo cada segundo de ella!
ReplyDeleteLOVE
ReplyDeleteSounds like this song was really hard to write, the melody sounds very sophisticated haha. Anyone with a fucking laptop can program a beat and write a song, I'm glad Harry Nilsson is not alive to see this. Why in the hell is Kelley Deal wasting her talent on this?
ReplyDeleteIt's very touching, very LA. Loved every second of it, especially that second part (and I love the first part for setting up the conditions for the easy-catchiness that we get later on).
ReplyDeleteEscuche el álbum completo anoche. El ultimo track lo debí de haber escuchado como 25 veces o algo así.
ReplyDelete